By Matthew Patterson, Assistant Director of Community and Public Programs, MOCA Jacksonville Victor Alexandrovitch Hartmann was born April 23rd, 1834, in St. Petersburg. Both his parents died before he was four years old, and he was brought up by an aunt, Luisa Ivanovna Gemilian, wife of a well-known St. Petersburg architect and a former lady-in-waiting to the tsarina. Through the … Read More
Why is That Trombone So Small?
By Bass Trombonist, Christopher Bassett When the Jacksonville Symphony plays music from the Classical and Early Romantic periods the trombone section often scales our instruments down to better blend with a smaller orchestra. As opposed to what we usually play – two large tenor trombones with valves and a large bass trombone with two valves – we use an alto … Read More
Where Will The Music Take You?
By Robert Massey At an early age, I discovered the transformative power of music. Growing up in a military household, we moved around quite often and, unfortunately, most of those transitions were very difficult. Starting a new life in a strange city every three years was fraught with anxiety. My anchor through all of this was music. I learned to … Read More
My Heros: Rattle, Abbado and Davis
During our formative years, musicians are molded by many influences. Obviously our teachers hold enormous sway, taking on the role of musical parents by establishing the basics of instrumental technique while introducing repertoire at the right time. But like any artist we are often influenced just as much, if not more, by professionals, we may not know. The people we … Read More
A Massive Hope for the Future: Elgar’s First Symphony
Next weekend we perform a masterpiece that is among those closest to my heart, Edward Elgar’s First Symphony. Its premiere in 1908 was probably the greatest success of Elgar’s career. His best friend and publisher, August Jaeger, described the scene at the first London performance: “I never in all my experience saw the like. The hall was packed…the atmosphere was electric…after … Read More
A Letter from London (and Nielsen 4)
Yesterday I arrived in damp and blustery London, which, despite the gloom and ghastly weather is full of the irrepressible cheer of Christmastime. There is something about dusk descending at 4 pm – or even of being soaked by the spray of a passing double-decker bus whilst walking to a carol service – that makes the Yuletide spirit all the … Read More
Concert Weeks are Jam-Packed!
When newcomers attend the Symphony they often ask me, “How many weeks ago did you start rehearsing for the concert?” The answer usually elicits a look of astonishment, especially if the performance is on a Thursday: “We started on Tuesday morning!” A Masterworks concert is preceded by four or five rehearsals, all within a single week. The musicians’ schedules are … Read More
White-Hot Conviction Propels Sibelius’s Fifth Symphony
Last year I made the decision to take a break from conducting over the summer of 2017. The previous few seasons had been exhausting as I flew constantly back and forth between New York, Jacksonville and other cities. A conductor’s primary task is to inspire orchestras and I was aware that the well from which such inspiration is drawn was … Read More
Jumping Off a Cliff – The First Time with a Masterpiece
Last week we ended the Jacksonville Symphony’s Masterworks series with three performances of Mahler’s soul-stirring Second Symphony. It was a thrilling way to end an ambitious season. Throughout the week’s rehearsals, I was inspired by just how much fun the musicians were having playing this great music: at his best Mahler seems to understand exactly what it means to be … Read More
Musical Chairs: Why Orchestras Sit the Way They Do
One of the questions I’m asked most often is why the string sections of the Jacksonville Symphony sometimes change where they sit between pieces in a concert. Loyal symphony goers will remember that when I arrived in Jacksonville, we adopted two new positions for the string instruments. Your previous music director, Fabio Mechetti, preferred the common arrangement of first violins, … Read More
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