Praised for his “clarion tone” (Chicago Classical Review) and “commanding and animated” presence (Seen & Heard International), baritone Edward Vogel possesses a diverse repertoire spanning ten centuries. Recent solo appearances include Handel’s Messiah and Monteverdi’s Vespro della Beata Vergine with GRAMMY®-winning Apollo’s Fire under the direction of Jeannette Sorrell; and Ralph Vaughan Williams’s Dona Nobis Pacem, Bach’s Mass in B minor, and Brahms’s Ein deutsches Requiem with GRAMMY®-nominated True Concord under the direction of Eric Holtan. Highlights of the 2023-2024 season include solo appearances with Apollo’s Fire and True Concord Voices & Orchestra, and his solo debuts with the Jacksonville, Tucson, and Canton Symphonies, as well as the New York Philharmonic. In 2019 Edward made his international solo debut in Bach’s Mass in G Major at Snape Maltings, UK, under the direction of Philippe Herreweghe. Highly in-demand as an ensemble singer, Vogel has performed with groups including Bach Collegium Japan, and Paul Hillier’s Theatre of Voices in the world premiere of David Lang’s the writings at Carnegie Hall.

An avid recitalist, Edward finds passion in delivering sensitive, intimate performances of both art song and genres that go beyond the traditional classical canon. A two-time Vocal Fellow at the Tanglewood Music Center, he has honed his craft by coaching with champions of art song including Dawn Upshaw, Roger Vignoles, and the late Sanford Sylvan. His musical interests have led to engaging and acclaimed recitals of repertoire ranging from music of medieval Iberia to British art songs of the twentieth century.

Edward holds degrees from the Yale School of Music and the University of Notre Dame.